{"id":420,"date":"2022-01-28T15:57:42","date_gmt":"2022-01-28T15:57:42","guid":{"rendered":"https:\/\/gigaagladze.com\/?page_id=420"},"modified":"2022-01-30T15:49:09","modified_gmt":"2022-01-30T15:49:09","slug":"the-other-me","status":"publish","type":"page","link":"https:\/\/gigaagladze.com\/?page_id=420","title":{"rendered":"The Other Me"},"content":{"rendered":"\t\t
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Slide\"\n \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/a>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer><\/i> \u00a0\u00a0\u00a0\u00a0 Trailer \n\t\t\t\t\t\t\t<\/rs-layer><\/i> \u00a0\u00a0\u00a0Behind The Scenes \n\t\t\t\t\t\t\t<\/rs-layer>STORYBOARD \n\t\t\t\t\t\t\t<\/rs-layer>2022 \n\t\t\t\t\t\t\t<\/rs-layer>Irakli (Jim Sturgess)<\/span> is a young aspiring architect thrown into turmoil when diagnosed with
\na debilitating eye disease. As his condition worsens, a surreal visual world opens up to him
\ncausing him to question his life\u2019s choices, his career, and his marriage to an increasingly
\nfrustrated Nutsa (Antonia Campbell-Hughes)<\/span> who struggles with her loyalties to her
\nhusband and the realities of daily survival.
\n
\nAs his condition worsens, Irakli meets Nino (Andreja Pejic)<\/span>, a beautiful artist who lives alone
\nin the forest. She becomes his artistic muse and they form a deep connection that turns
\nfrom fascination to infatuation to love. They speak in poetic language and understand each
\nother completely. Meanwhile Nutsa works three jobs and is influenced by her new boss, a
\nsocialite from America who similarly is trapped in a tumultuous marriage. \n\t\t\t\t\t\t\t<\/rs-layer>GENRE \n\t\t\t\t\t\t\t<\/rs-layer>DIRECTOR \n\t\t\t\t\t\t\t<\/rs-layer>SYNOPSIS \n\t\t\t\t\t\t\t<\/rs-layer><\/i> \u00a0\u00a0\u00a0The Other Me in TV Shows \n\t\t\t\t\t\t\t<\/a>STATUS \n\t\t\t\t\t\t\t<\/rs-layer>SYNOPSIS \n\t\t\t\t\t\t\t<\/rs-layer>Mystery, Drama \n\t\t\t\t\t\t\t<\/rs-layer>Giga Agladze \n\t\t\t\t\t\t\t<\/rs-layer>Completed \n\t\t\t\t\t\t\t<\/rs-layer>WRITER \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>CHARACTERS \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/a>EXECUTIVE PRODUCER \n\t\t\t\t\t\t\t<\/rs-layer>Giga Agladze \n\t\t\t\t\t\t\t<\/rs-layer>David Lynch \n\t\t\t\t\t\t\t<\/rs-layer>An architect is diagnosed with a rare eye disease, entering him into a surreal reality in which he sees people\u2019s true motives. As the visions become intolerable, he falls for a mysterious woman and confronts the truth about his own identity. \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/rs-layer><\/i> \u00a0\u00a0\u00a0\u00a0 Articles \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/a>Jim Sturgess \/ Irakli \n\t\t\t\t\t\t\t<\/a>Andreja Pejic \/ Nino \n\t\t\t\t\t\t\t<\/a>Antonia Campbell-Hughes \/ Nutsa \n\t\t\t\t\t\t\t<\/a>Orla Brady \/ Marina \n\t\t\t\t\t\t\t<\/a>Jordi Molla \/ Vakho \n\t\t\t\t\t\t\t<\/a>Rhona Mitra \/ Martha \n\t\t\t\t\t\t\t<\/a>Billy Barratt \/ Niazi \n\t\t\t\t\t\t\t<\/a>Michael Socha \/ Giorgi \n\t\t\t\t\t\t\t<\/a>Mark W. Travis \/ Doctor \n\t\t\t\t\t\t\t<\/a>Roger Ashton-Grif\ufb01ths \/ Stranger \n\t\t\t\t\t\t\t<\/a>COLORS \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>LOCATIONS \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>GRIM & VFX \n\t\t\t\t\t\t\t<\/rs-layer>KEY CREW \n\t\t\t\t\t\t\t<\/rs-layer>DIRECTOR \/ WRITER \/ PRODUCER \n\t\t\t\t\t\t\t<\/rs-layer>EXECUTIVE PRODUCER \n\t\t\t\t\t\t\t<\/rs-layer>PRODUCERS \n\t\t\t\t\t\t\t<\/rs-layer>GIGA AGLADZE \n\t\t\t\t\t\t\t<\/rs-layer>DAVID LYNCH \n\t\t\t\t\t\t\t<\/rs-layer>MAX GOTLIB
\nJONATHAN P. SHAW
\nJOANNA PLAFSKY
\nGEORGE BAZGADZE
\nGIGA AGLADZE
\nIVANE BAKRADZE
\nLASHA MINDIASHVILI \n\t\t\t\t\t\t\t<\/rs-layer>COMPOSER \n\t\t\t\t\t\t\t<\/rs-layer>EDITOR \n\t\t\t\t\t\t\t<\/rs-layer>PAUL HASLINGER \n\t\t\t\t\t\t\t<\/rs-layer>JONATHAN P. SHAW \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>Born in 1946 in Missoula, Montana, David Lynch was
\nraised in small-town America. After high school, he
\nwent to Boston to attend the School of the Museum
\nof Fine Arts. Shortly after that, he planned a three-
\nyear trip to Europe to work on his art, but didn\u2019t take
\nto it and left after 15 days. In 1977, he released his
\nfirst film Eraserhead (1977), which, although not
\ncritically acclaimed, was noticed by many people,
\nincluding Francis Ford Coppola, who was rumored
\nto have screenings of it for his cast and crew on the
\nApocalypse Now (1979) set.
\n
\nAfter a stream of visually striking films such as Blue
\nVelvet(1986), Lost Highway (1997) and Mulholland
\nDrive (2001). These films and others, beginning with
\nBlue Velvet (1986), and including his Twin Peaks T.V.
\nseries, feature what has now been added to signature
\nLynch features, such as vibrant colors, the use of
\ndreams and montage to connect character thought
\nand multiple emotions into one sequence. \n\t\t\t\t\t\t\t<\/rs-layer>In addition to that, since Blue Velvet (1986), Lynch has
\ngained the reputation of one of the foremost auteurs
\nin the film industry, and one of the few living auteurs
\nwho continually defies cinematic convention.
\n
\nHis films continually represent his ideal that films,
\nrepresenting life, should be complex, and in some
\ncases, inexplicable. Due to his decisive innovation
\nand the beautiful confusion of his films, he will always
\nbe recognized as if not one of the greatest film-makers,
\none of the most original. Lynch is an innovative director,
\nand even if his films aren\u2019t necessarily realistic, they are
\nreal in their representation of what life is: a confusing,
\nirrational series of events that have little purpose, and
\none makes one\u2019s own interpretation of each event,
\ngiving life one\u2019s own purpose.
\n
\nLynch wants his films to resonate emotionally and
\ninstinctively, and for every person to relate and find
\nits own understanding. David Lynch is original. He
\nhas done things in film-making that D.W. Griffith did
\nin his day. David Lynch will never stop making beauty
\non the screen. \n\t\t\t\t\t\t\t<\/rs-layer>Executive Producer \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>DAVID LYNCH \n\t\t\t\t\t\t\t<\/rs-layer>Jonathan
\nP. Shaw \n\t\t\t\t\t\t\t<\/rs-layer>Editor & Producer \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>Jonathan P. Shaw is known for his work on Virtuosity, Blue Velvet, and Jaws 3-D.
\nJonathan was nominated as an Outstanding Single-Camera Picture Editing For A
\nLimited Series Or Movie - 2018 Twin Peaks.
\n
\nA seasoned editor, Jonathan P. Shaw was an assistant editor on Blue Velvet before
\nbecoming a central part of the Twin Peaks team. On Twin Peaks, Shaw edited 10 episodes,
\nand later he has continued his work as an editor on television series like Blind Justice
\nand Raising the Bar, both created by the acclaimed showrunner Steven Bochco.
\n
\nIn 2015, Jonathan P. Shaw served as an editor on the documentary feature Finding Noah,
\nand while he was working on that film, he managed to take off some time to talk with
\nme about Twin Peaks, Blue Velvet, and the art of editing in film and television. \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>Joanna Plafsky \n\t\t\t\t\t\t\t<\/rs-layer>Producer \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>Joanna Plafsky is an established international film producer and distributor. She was Co-Founder
\nof Nu Image Films (now Millennium Films), which went on to become a highly successful film
\nproduction and distribution company.
\n
\nJoanna began her career as Founder and President of Radiance Films International, an international
\nsales and film distribution company. She sold hundreds of films throughout the world and had a
\nstrong presence at Cannes, Milan, and other international film festivals.
\n
\nMore recently, Joanna co-produced the documentary Saving the Disposable Ones with David Lynch
\nFoundation Television. She was also Executive Producer of the award-winning documentary My
\nReincarnation. A graduate from the University of California at Berkeley, Joanna earned a Master\u2019s
\nDegree in Film from Boston University. Joanna\u2019s passion is producing films that uplift the human
\nspirit and make the world a better place to live. \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>Paul
\nHaslinger \n\t\t\t\t\t\t\t<\/rs-layer>Composer \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>Paul Haslinger is an Austrian composer and electronic musician known for his
\ninvolvement with the legendary German group Tangerine Dream, as well as his
\ncountless film, television, and video game scores. During the 1990s, he also
\nreleased a few solo albums, including World Without Rules and Planetary Traveler,
\nthat explored various ethnic influences as well as industrial, dark ambient, and
\ntrip-hop. Since the late \u201890s, he\u2019s been a sought-after soundtrack composer,
\nwith notable projects including the Underworld film franchise and the television
\nseries Halt and Catch Fire. He has collaborated with Nona Hendryx, Jon Hassell,
\nLustmord, Fennesz, and many others.
\n \n\t\t\t\t\t\t\t<\/rs-layer>Haslinger began scoring short films in the late \u201890s, in addition to programming
\nand arranging film scores by Graeme Revell, including The Siege, Pitch Black,
\nand Lara Croft: Tomb Raider. Starting with 2000 HBO film Cheaters, Haslinger
\nscored several films by director John Stockwell, including Crazy\/Beautiful and
\nBlue Crush. He began scoring video games with 2005\u2019s Far Cry Instincts for
\nUbisoft Entertainment. Haslinger\u2019s music for Showtime series Sleeper Cell was
\nnominated for an Emmy award in 2007. Other notable soundtracks Haslinger
\nhas composed include Death Race, Underworld: Rise of the Lycans, The Three
\nMusketeers, Underworld: Awakening, Resident Evil: The Final Chapter, and etc. \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>MAX GOTLIB \n\t\t\t\t\t\t\t<\/rs-layer>Producer \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>Max Gottlieb is a Producer and founder of The Fun Group. A true industry entrepreneur,
\nhe has a passion for creating big ideas that entertain audiences around the world.
\n
\nMax has infused The Fun Group with his considerable energy and experience as a
\ncreator, financier, and marketer of branded entertainment. His most recent ventures
\ninclude producing Universal\u2019s \u201cLaid in America\u201d and Broadway\u2019s Tony nominated
\n\u201cRock of Ages\u201d which has grossed over $300 million worldwide.
\n
\nMax is actively engaged in film financing, development, and maintains strong
\nrelationships with both foreign and domestic distributors. Max graduated the
\nNYU Film School Certificate Program in 1994.
\n \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>IVANE
\nBAKRADZE \n\t\t\t\t\t\t\t<\/rs-layer>Ivane Bakradze is a supporter of BA Production for more than 10 years.
\nHe is a member of David Lynch Foundation Caucasus and its patreon.
\nIvane is entrepreneur with strong roots in oil, medical and construction
\nindustries. \n\t\t\t\t\t\t\t<\/rs-layer>Producer \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>Producer \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>GEORGE
\nBAZGADZE \n\t\t\t\t\t\t\t<\/rs-layer>Producer \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>LASHA
\nMINDIASHVILI \n\t\t\t\t\t\t\t<\/rs-layer>Lasha Mindiashvili was born on the 13thof October, 1975, in Tbilisi, Georgia.
\nAfter graduating from school in 1992, he entered Tbilisi State Academy of
\nArts. In 1994, he went to Bulgarian Art Academy for internship and stayed
\nthere for a year. Then he came back and continued studying at Academy
\nof Arts. As soon as he graduated from Academy of Arts in 1997, the same
\nyear he entered Shota Rustaveli Film and Theater Academy, he graduated
\nfrom it in 2001. In 2005, he moved to NY to study film directing at New York
\nFilm Academy. \n\t\t\t\t\t\t\t<\/rs-layer>George (Gia) Bazgadzeis a co-founder and chairman of the Board of Directors
\nof JSC \u201cCavea\u201d\/\u201cRustaveli\u201d, Georgia\u2019s largest cinemas network. He is also
\nco-founder of film studios \u201cMoving Pictures LLC\u201d, GAMS Pictures LLC, Dariali
\nFilms LLC and film production companies \u201cLightBank\u201d and \u201cVineYard Films\u201d.
\nHe is one of Georgia\u2019s leading film producers. \n\t\t\t\t\t\t\t<\/rs-layer>Behind the scenes \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>Photos by Giga Agladze \n\t\t\t\t\t\t\t<\/rs-layer>THE OTHER ME \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>BACK \n\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t<\/a>47th<\/sup> Day of May \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t<\/rs-slides>\n\t\t\t\t<\/rs-module>\n\t\t\t\t